Outrageous Cherry - Universal Malcontents
'She walked into my mind and rearranged the furniture' - I Recognized Her
Matthew Smith’s Detroit fuzz-pop drone devotees stalk the sunnier side of psychedelia but with its inherent wistfulness and his own wry surliness indicated in the title that also belies his activities in country-ish Volebeats as well as giving reason to merit their inclusion on the Skip Spence tribute More Oar. Smith’s Joey Ferry slur on opening debris of slouch-glam T-Roxy jam Waiting For Your Dog that could just be I Recognized Her saunters into a sedated Beach Boy sloop on The Song Belongs To Everyone ('...And I want my 50 per cent...). It’s Not Rock’n’Roll (And I Don’t Like It) should be reason enough for any self-respecting, or fuck it, any, underground/outsider rock fan to buy the album for the title alone (and that’s discounting the equally eloquent riposte I Wouldn’t Treat My Enemies The Way You Treat Yourself) never mind the Feels Like Shadows and Horizon being electrified everythings and more that the Mary Chain’s Stoned And Dethroned shoulda been (great as that slight release is) as well as Parsons-style monuments beneath the floppy fuzz, the blissed out blur of Outsider is something you can imagine Bobby Gillespie excitedly/nonchalantly sloping about to and it’s easy to surmise an obvious influence on Dandy Warhols but rather much better as it appears unaffected. On the go for some sixteen years this is incandescently lovely and a blessing in disdain not to ignore.